DIGITAL LIBRARY
| JUDUL | : | PERANCANGAN GELANGGANG WAYANG KULIT DI BANJARBARU | |
| PENGARANG | : | ANGGA DIPDYO WIDODO | |
| PENERBIT | : | UNIVERSITAS LAMBUNG MANGKURAT | |
| TANGGAL | : | 2026-07-13 |
ABSTRAK
Indonesia memiliki kekayaan budaya Wayang Nusantara yang telah diakui UNESCO, namun eksistensinya semakin terhimpit oleh arus modernitas dan minimnya fasilitas pelestarian di Banjarbaru, sehingga diperlukan perancangan Gelanggang Wayang Nusantara sebagai wadah terpadu pameran, pendidikan, dan hiburan yang mampu merepresentasikan nilai filosofis serta identitas arsitektur Nusantara secara interaktif. Dengan menggunakan metode Arsitektur Naratif melalui konsep narasi spasial, perancangan ini menerjemahkan struktur dramatik pathet nem, pathet sanga, dan pathet manyura ke dalam urutan ruang dan sirkulasi bangunan yang diwujudkan melalui tata massa linier dengan elemen atap besar sebagai simbol pemersatu keberagaman budaya. Selain fungsional secara termal dan akustik melalui respon terhadap orientasi matahari dan penggunaan second skin di sisi Barat, hasil desain ini diharapkan menjadi ikon budaya di Banjarbaru yang mampu menghidupkan kembali nilai luhur wayang melalui pengalaman ruang arsitektural yang teatrikal dan adaptif.
Kata Kunci:Gelanggang Wayang Nusantara, Pathet, Arsitektur Naratif, Naratif Spasial, Pelestarian Budaya.
ABSTRAK
Indonesia possesses a rich cultural heritage in the form of Wayang Nusantara, which has been recognized by UNESCO; however, its existence is increasingly challenged by modernity and the lack of preservation facilities in Banjarbaru. Therefore, the design of a Gelanggang Wayang Nusantara is proposed as an integrated space for exhibition, education, and entertainment that represents philosophical values and the architectural identity of the Nusantara in an interactive manner.By applying a Narrative Architecture approach through the concept of spatial narrative, this design translates the dramatic structure of pathet nem, pathet sanga, and pathet manyura into a sequence of spatial organization and circulation. This is manifested through a linear mass arrangement unified by a large roof element as a symbol of cultural integration. In addition to addressing functional aspects such as thermal and acoustic performance—through solar orientation strategies and the use of a second skin on the western façade—the design is expected to become a cultural landmark in Banjarbaru that revitalizes the noble values of wayang through a theatrical and adaptive spatial experience.
Keywords :Gelanggang Wayang Nusantara, Pathet, Narrative Architecture, Spatial Narrative, Cultural Preservation.
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